Electric Toothbrush Smells

I've always called Vasco.


delightful to see young girls 15/16 years of listening, without probably even let us take off the Add to this, and probably a sure, to understand the artist, songwriter true.
Air to be bad boy, torn apart, his voice breaking with this hair, and the guitar make Brondi Vasco (he is the person I'm talking about) the character of the musical moment.
hated and loved equally by critics and audiences, "Vasco" to me so familiarly called, just to evict the ghosts of that now that Mr. Rossi with music singer-songwriter has nothing to do, put out at the end of 2010 his third book, "For now we call happiness" of course with the name of the musical project "The lights of power plants." In 2007 the myth was born
Brondi with a self-produced demo entitled "The Lights of power" that gets a great response from critics and the public so that a year later in 2008, the first "real" album "Songs from the beach spoiled" that sets out the Ferrara (now 27 years old) "Someone urlarci able to face the vile and devastating time in which we live."
National newspapers, music magazines, television containers are curious about the new "Vasco" but I prefer to call it the De Andrè of our time, able to tell in songs like "Do the waiters' own difficulties in this generation to which he belongs as us, being also that of a waiter in Ferrara.
The comparisons and parallels to the criticism made by great artists and the general public, as it is a natural opposite effect, some are starting to want to mock the lyrics or the character in all this but I will follow the exit of the book he wrote, "What account of this fucking year zero ", where contains two years of thoughts and words of his blog.




"Now the call to Happiness" will be the last chapter in a brief but intense history, or will be the start of something big, it's not for me to say.
Surely it is the vision of a free trip in current feelings and ideas, not only in a crisis and where the economic gloom is seen as happiness, and forgive me but after Pasolini, Gaetano De Andrè and we still have a desperate need of a partisan who will carry us away.


Teo Filippo Cremonini

Milena Velba Jugend Fotos

The future of music!


PREFACE: I am attaching this article taken from the portal ROCK.IT on what is the mystery of SIAE and its new leadership which looks like a very sterile and without future way out for what is a sector that brings together all the young to the elderly, the singer from the DJ, the Music listener.
Yet another sad chapter of what is no longer worship in Italy, home of club great songwriters and musicians.

Teo Filippo Cremonini


The news is a few days ago, but it is worth repeating because maybe someone has escaped: the Council of Ministers, upon proposal of the Prime Minister and Minister for Cultural Heritage (and poet), Sandro Bondi, has appointed Commissioner SIAE an extraordinary man who will soon be 90 years. It is ninety, you read that right. It is neither a hoax nor a bitter action situation of our minister and poet. Need we say more? Retrieve the jaw that he fell down and try to make the local mind. We are talking about a man born in 1921, when she arrived that the "small" digital revolution, not to mention the mp3 of years had already over 70 (or already in retirement age well). We can imagine what is inside that change is the first digital source of the problem he has to solve.
Now, deliberately omitted his name because it does not even care who it is, its history, its location, its value, in fact, precisely because there is nothing personal, to be honest we feel an ambivalent feeling towards him: tenderness and disgust.
The new commissioner said: "I accepted for the sake of culture." No one doubts his love, but perhaps an act of love even more important would be to give a fuck this proposal, by reflecting our Government on its policies for the allocation of positions of power. And 'what is expected of a man with such experience, with more to lose and nothing to prove.
However, the first task of the new commissioner will be to reform the Statute of the SIAE and its regulations. Do you understand? The reform of an institution is at risk due to the collapse of the digital revolution is entrusted to a man of 90 years. A nearly century-old called to lay the foundations for the future management of copyright in Italy. With all the extreme respect for elders, we are beyond the threshold of the grotesque.
Dear musicians, if you really want to be part of all this, at least think about the reasons why you would like to subscribe to the SIAE. It is not an obligation. Think seriously.


SOURCE ROCK.IT

Cheap Potato Cannons For Sale

Valle del Forno

Excursion to the Maloja

Cessna 172 Top Diagram

Irgilihorn

Ski-mountaineering in Val Divedro, Simplon

All ready for Cima di Bonze in Piedmont Graie: Friday night and then read the bulletin avalanche risk has ice, danger 4! So we started looking for a stopgap .... and is coming off the Zwischbergen Valley, just beyond the customs of the pass. Difference acceptable side-oriented north slopes not too steep (you had to deal with a threat 3), the valley is not very popular, so a possible news for everyone. choice to Saturday, Sunday morning street in 17 (number at risk) to Val Divedro and the Simplon. After the first part in a forest with little snow, the snow here ... to the summit. We were not alone: \u200b\u200bthe school of ski-mountaineering in Biella, on our route, we have beaten track! The descent gave us a nice powder skiing, on slopes still little paths. The 17 unlucky? we not, indeed .... nice day, nice ride, great skiing, no effort to beat the track .... and poor avalanche risk. Yes, I would say that was a good fall-back to the original trip ....

George

Black N White Praise Dance Garments

i-dee {at} art: Chat with Cleto.






i-dee: Clet Hello dear, how are you?

Clet: Hello dear, I love you.

i-dee: ... Thank you so much for this chat. I read enough about you and your new artistic experimentation ... But I do not know many things about Cleto. And then the usual obvious question ... But you know, I know your story so I would like to know if you remember the moment, if there was, when did you realize that you wanted to be an artist.

Clet do not remember a particular moment, in fact I doubt ever will, or power, being an artist.

i-dee: I work in Italy and now in Florence? Why a city artistically difficult as this?

Clet: I arrived in Italy in 1990, in Rome, a friend of mine offered me a 'job opportunities as a restorer of furniture in his shop. So for me the important thing was to get out of France, discover new cultures, facing difficulties unknown substance in LIVE. Then I was in Italy, definitely something I like here.

i-dee: One day I felt angry about how the Florentine institutions ignore and do not gratify personality artistic, like you, who have chosen this city to work. Why do you think this indifference? Why this "policy of no value"? Want to say something?

Clet: I find that wherever the usual mechanisms. Those in power tend to want to protect their privileges, those who have no right to power tends to destabilize the power too, it's just a distribution of roles according to their characters. In Florence, the artistic power rests on its Renaissance heritage, and I, as an artist, I owe it to destabilize this really lazy.

i-dee: What do you want, artistically speaking, to Florence?

Clet: The ability to question itself, an indispensable condition to be able to grow.


i-dee: How long have you started doing street art? Do you think that you have made your search more 'free' by an artistic point of view? Feelings ... you know ... But since I have seen in recent years so I see you and you feel different ...

Clet: We would have to redefine the term "street art" which to me just want to say "art in the street" in the sense of art enjoyed by all. Then, in the "street art", we can distinguish two main categories, which are official and unofficial. Michelangelo's David is therefore an example of street art to which official Florence denies the contemporary comparison. Florence wants to free itself to accepting the challenge of comparison with the Renaissance. I'm ready.

i-dee: The "world" love your performances ... If you think back a few years ago, you felt truly "loved" by the world or, now with your "output" in the world, you have got completely conscience?

Clet: The desire to be loved in all of us, perhaps the artist is living in a more "absolute" and therefore seeks to establish broad consensus. What can I say ... it's a cross, but also a requirement that extreme forces you to find you the very best, at this point so be it.

i-dee: a ... night I met you in S. Nicholas, a few words about how our day went and then we talked about an art project in progress and you told me that the art expression for you ...


Clet: Define the art would be like trying to define the world. I only know that my energies are limited as my life, I would like to make the most and produce more and more "things" that have maximum impact, I appear to be in that moment the greatest thing that I can give, I want to be useful , and used, at most.

i-dee: Question "white" ... Imagine that you would like to receive the document ...


Clet: "You want to make love with me? "This is the question I want to hear, then answer me for who I am, I'll keep the question.

i-dee: Cletus, AmicoArtista, congratulations for your "flash", for your artistic and ... for your courage! Keep it up!

Clet: Thank you, you keep going, really.

Lau: I love you too!


Thanks for the BLOG http://ideeadarte.blogspot.com/

Created by LAU (interview, signed by Lau) and Valerio Conti (photo). Taken

Clet Abraham to host UDG Thursday evening at 22.00

www.heymenclosefriends.com Teo Filippo Cremonini

Mysore Maliga Online Film

Welcome to Bologna.


I am attaching an article from La Repubblica the day of the March 1, obviously it comes to chronicle and a new law passed by the Commissioner Clerks.

"musicians, beggars and writer in the crosshairs now rained fines of up to 500 €"

Today is the big day of the sting against the writer, who play the bongos, "washer" and camps: the new regulation enters into force for urban police, launched by Commissioner Clerks (and criticized by the Democratic Party), which punishes those who ask for alms with fines ranging from 100 to 500 euro and 500 euro spot fines for those who smeared a good art. "It will be a soft launch," say the police, emerging from a series of meetings with technical staff of Palazzo d'Accursio during which they discussed the margins of operation of the new instrument. But meanwhile the chancellor responds angrily to the Secretary of the CGIL Spi Bruno Pinch, who was very critical of the new measures. "In Bologna, in front of a poor beggar put a traffic cop for a ticket that also will never be paid."
No attack the poor, "said the Special Commissioner. "It 'an incredible and insulting statement that leaves me thinking that there is an atmosphere difficult to compare with the unions. Pizzica If you have fantasies like this, I react badly because the cops do not touch, nor is this administration that goes hunting for the homeless. Of that space permitted, I am ready to quarrel. "
In fact, with the entry into force of new regulations being announced strummer difficult times for clubs (who plays the street between 22 and 9 faces a penalty of 300 to 500 €) and for those who clean windshields at traffic lights: in this case, in addition to confiscation of brush and bucket, a fine ranging from 100 to 500 €. The cops can not do everything ourselves, and so the City will launch a call to recruit volunteers to promote awareness on the issues of civil coexistence. "Pinch does not give up and won." I had been critical issues reported by all newspapers, not that this has resulted in replicas by the administration. "


SOURCE REPUBBLICA.IT