Electric Toothbrush Smells

I've always called Vasco.


delightful to see young girls 15/16 years of listening, without probably even let us take off the Add to this, and probably a sure, to understand the artist, songwriter true.
Air to be bad boy, torn apart, his voice breaking with this hair, and the guitar make Brondi Vasco (he is the person I'm talking about) the character of the musical moment.
hated and loved equally by critics and audiences, "Vasco" to me so familiarly called, just to evict the ghosts of that now that Mr. Rossi with music singer-songwriter has nothing to do, put out at the end of 2010 his third book, "For now we call happiness" of course with the name of the musical project "The lights of power plants." In 2007 the myth was born
Brondi with a self-produced demo entitled "The Lights of power" that gets a great response from critics and the public so that a year later in 2008, the first "real" album "Songs from the beach spoiled" that sets out the Ferrara (now 27 years old) "Someone urlarci able to face the vile and devastating time in which we live."
National newspapers, music magazines, television containers are curious about the new "Vasco" but I prefer to call it the De Andrè of our time, able to tell in songs like "Do the waiters' own difficulties in this generation to which he belongs as us, being also that of a waiter in Ferrara.
The comparisons and parallels to the criticism made by great artists and the general public, as it is a natural opposite effect, some are starting to want to mock the lyrics or the character in all this but I will follow the exit of the book he wrote, "What account of this fucking year zero ", where contains two years of thoughts and words of his blog.




"Now the call to Happiness" will be the last chapter in a brief but intense history, or will be the start of something big, it's not for me to say.
Surely it is the vision of a free trip in current feelings and ideas, not only in a crisis and where the economic gloom is seen as happiness, and forgive me but after Pasolini, Gaetano De Andrè and we still have a desperate need of a partisan who will carry us away.


Teo Filippo Cremonini

Milena Velba Jugend Fotos

The future of music!


PREFACE: I am attaching this article taken from the portal ROCK.IT on what is the mystery of SIAE and its new leadership which looks like a very sterile and without future way out for what is a sector that brings together all the young to the elderly, the singer from the DJ, the Music listener.
Yet another sad chapter of what is no longer worship in Italy, home of club great songwriters and musicians.

Teo Filippo Cremonini


The news is a few days ago, but it is worth repeating because maybe someone has escaped: the Council of Ministers, upon proposal of the Prime Minister and Minister for Cultural Heritage (and poet), Sandro Bondi, has appointed Commissioner SIAE an extraordinary man who will soon be 90 years. It is ninety, you read that right. It is neither a hoax nor a bitter action situation of our minister and poet. Need we say more? Retrieve the jaw that he fell down and try to make the local mind. We are talking about a man born in 1921, when she arrived that the "small" digital revolution, not to mention the mp3 of years had already over 70 (or already in retirement age well). We can imagine what is inside that change is the first digital source of the problem he has to solve.
Now, deliberately omitted his name because it does not even care who it is, its history, its location, its value, in fact, precisely because there is nothing personal, to be honest we feel an ambivalent feeling towards him: tenderness and disgust.
The new commissioner said: "I accepted for the sake of culture." No one doubts his love, but perhaps an act of love even more important would be to give a fuck this proposal, by reflecting our Government on its policies for the allocation of positions of power. And 'what is expected of a man with such experience, with more to lose and nothing to prove.
However, the first task of the new commissioner will be to reform the Statute of the SIAE and its regulations. Do you understand? The reform of an institution is at risk due to the collapse of the digital revolution is entrusted to a man of 90 years. A nearly century-old called to lay the foundations for the future management of copyright in Italy. With all the extreme respect for elders, we are beyond the threshold of the grotesque.
Dear musicians, if you really want to be part of all this, at least think about the reasons why you would like to subscribe to the SIAE. It is not an obligation. Think seriously.


SOURCE ROCK.IT